UP CLOSE – CAROL HALL
The first person ever to record one of Carol Hall’s songs was the young Barbra Streisand. Subsequently, her songs were performed by such extraordinary singers as Tony Bennett, Barbara Cook, Margaret Whiting, Julie Wilson, Chita Rivera, Michael Feinstein, Mabel Mercer, Amanda McBroom, Lari White, Olivia Newton-John, Maureen McGovern, RuPaul, Miriam Makeba, David Campbell, Frederica von Stade, Kermit the Frog and Big Bird. Among others.
She’s also one of the few songwriters to have a hit Broadway show. Her classic musical The BEST LITTLE WHOREHOUSE IN TEXAS entertained Broadway audiences for almost five years, received a Grammy nomination for its cast album, and became a popular film starring Burt Reynolds and Dolly Parton. Dolly’s recording of Carol’s song “Hard Candy Christmas” won an ASCAP Most Performed Country Song Award, and the film generated an ACADEMY AWARD nomination for Charles Durning, singing “The Sidestep” as the slippery Governor of Texas. A recent national tour of WHOREHOUSE starring the entertainment legend Ann-Margret enjoyed a run for over a year and a half.
Carol also does a lot of writing for children. Her “It’s All Right To Cry,” and “Parents Are People” continue to be favorites of generations of children. Recently she created the score to the theatrical version of the popular children’s series MAX AND RUBY. Four tours of the show are presently playing across the country, after a successful debut opening Off-Broadway in December 2007.
However, her recent delight has been the making of her CD HALLWAYS, The Songs of Carol Hall which features many of her most loved and wonderful songs – both old and brand new — such as the hit “Hard Candy Christmas,” as well as the timeless classic “Jenny Rebecca.”
In addition, it features her musical collaborations with Bill Evans, Steven Lutvak, Robert Burke, Lesley Gore and Tex Arnold.
But as Carol says in the CD’s booklet, “a song is not a song until somebody sings it…”
And what an array of singers she has here! In addition to CAROL, performing on the CD are Farah Alvin, Tom Andersen, Hubert “Tex” Arnold, Susannah Blinkoff, Scott Coulter, Tim Di Pasqua, Lesley Gore, Bobby Gosh, Rick Jensen, Steven Lutvak, Laurel Massé, Sally Mayes, Amanda McBroom, Johnny Rodgers, Carol Woods and the Broadway Inspirational Voices.
Pre-Order “Hallways” at Amazon
“Best Little Whorehouse in Texas” available at Amazon or
The New York Public Library for the Performing Arts delves into its renowned collections for Writing to Character: Songwriters & the Tony Awards, the first exhibition to explore the over 70 Broadway shows that have won Tonys for either Best Musical or Best Score.
In conjunction with the exhibition, the Library also presents a free public program series featuring appearances by such noted songwriters as Charles Strouse, Maury Yeston, and Lynn Ahrens and Stephen Flaherty. Writing to Character, co-presented by The New York Public Library for the Performing Arts and Tony Award Productions, is on view from February 26, 2008 through June 14, 2008 in the Library’s Vincent Astor Gallery. Admission is free. The New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center is located at 40 Lincoln Center Plaza. MORE
MCC Theater is pleased to announce another all star line-up for the company’s annual gala, to be held Monday, March 10, 2008 at The Hammerstein Ballroom (311 West 34th Street between 8th and 9th Avenues).
As in years past, Miscast 2008 will bring together the best and brightest Broadway talent as they perform songs from roles in which they would never be cast. Lynn Redgrave, currently in MCC’s production of Grace, will serve as the evening’s Honorary Chair. Broadway’s Phil Reno provides musical direction. MCC has announced that there are a limited number of “show only” tickets now available for $50. All proceeds go directly to MCC’s production, play development, education and outreach programs. MORE
Kerry Ellis, currently starring as London’s Elphaba in Wicked, is to recreate her award-winning performance on Broadway.
Kerry will play her final performance in London on June 7, 2008 before beginning performances at Broadway’s Gershwin Theatre on June 17, 2008. Following her Broadway engagement, Kerry will return to the London production at the end of the year. MORE
On Tuesday, March 18, 2008, Broadway’s razzle-dazzle hit musical Chicago is pleased to welcome Kecia Lewis-Evans (The Drowsy Chaperone, Shrek) as Matron “Mama” Morton for an 11-week engagement through Sunday, June 1 at Broadway’s Ambassador Theatre (219 West 49th Street). Also on Tuesday, March 18, Broadway veteran Jeff McCarthy (The Pirate Queen, Urinetown) will begin an 11-week return engagement as slick criminal lawyer Billy Flynn. MORE
ON THE BOARDS
LIFE IN A MARITAL INSTITUTION
We talk with writer/monologist James Braly.
James Braly spent over twenty years researching life in a marital institution. He’s performed his autobiographical stories on Marketplace, NPR, and at The Whitney Museum, Long Wharf Theatre, and The Moth, where he is the only two-time winner of the GrandSLAM and a featured performer on The Moth/TNT National Story Tour. His monologue, LIFE IN A MARITAL INSTITUTION, was featured at the 2007 Edinburgh Fringe Festival, is a forthcoming book from Algonquin, and will open this February in New York City at 59 East 59th Street Theaters.
More info at www.lifeinamaritalinstitution.com
We listen to the song, “Lost Horizon” from the Off-Broadway Cast album just released by Sk-k-boom Records.
Devised by the award winning theatre troupe The Civilians from interviews with real-life New Yorkers, Gone Missing is a wry and whimsical documentary musical about things that go missing — keys, personal identification, a Gucci pump…or one’s mind. The show is a collection of very personal accounts of things lost and found, creating a unique tapestry of the ways in which we deal with and relate to loss in our lives. It features music and lyrics by up-and-coming composer Michael Friedman, and the show has been playing theatres and colleges, and receiving rave reviews, across the country since 2002.
Buy “Gone Missing” at Amazon or
ON THE BOARDS
NIGHT OF THE IGUANA
We talk with director Terry Screiber and actor Derek Roche about the new Off-Off Broadway Production on Tennessee Williams last major work.
Terry Schreiber (Director): Featured in Eva Mekler’s The New Generation of Acting Teachers, Terry Schreiber has been teaching and directing for over 30 years. On Broadway he directed the Tony-nominated play K2, The Trip Back Down starring John Cullum, and Devour the Snow. Off-Broadway, his directing credits include Desire Under the Elms at The Roundabout Theatre with Kathy Baker and Feedlot at Circle Repertory with Jeff Daniels. He has directed at regional theatres around the country including The Guthrie Theatre, Syracuse Stage, Hartman Theatre Co., Pittsburgh Public Theatre, Studio Arena Stage (directing Celeste Holm and Betty Buckley) and George Street Playhouse. Internationally, Terry has directed numerous American plays in Japan and has taught workshops in Los Angeles, Paris and Istanbul. Productions at the T. Schreiber Studio include last year’s Sweet Bird of Youth, Hedda Gabler, Uncle Vanya, The Seagull, Orpheus Descending, The Iceman Cometh, Suddenly Last Summer, Summer and Smoke, Miss Julie, A Day in the Death of Joe Egg, Hamlet, Of Mice and Men, The Crucible, A Midsummer Night’s Dream, The Birthday Party, The Homecoming and Landscape of the Body. The Studio’s recent production season, including How I Learned to Drive, was nominated for twelve New York Innovative Theatre (NYIT) awards and were the recipients of three. Terry recently had his first book, Acting: Advanced Technique for the Actor, Director & Teacher published, and just completed a first draft of his second book, which deals with 20 years of producing and directing Off-Off-Broadway.
Derek Roché (The Reverend T. Lawrence Shannon) is thrilled to be making his return to the stage after “quite a sabbatical”. He’s honored to be working with Terry and this wonderful cast. During his absence, Derek has been working in film and has recently played leading roles in the award winning films, Bellclair Times, Shocked Jock, the soon to be released, American Standard and in two short films with Jacob Reynolds. Derek is a graduate of Circle in the Square’s professional program and currently studies with Terry Schreiber.
More info at www.tschreiber.org
TOP OF THE TRADES
Broadway In Chicago and the producers of Jersey Boys are thrilled to announce that in response to overwhelming demand and critical acclaim, the record-breaking Jersey Boys will be taking-up residence in the Downtown Theatre District for a sit-down company of Jersey Boys to continue performances for as long as the public demands at the LaSalle Bank Theatre (18 W. Monroe). MORE
On Monday, March 3 at 7PM, The Jewish Museum will present “Shrek: From Book to Film to Broadway.” This panel discussion will trace the odyssey of William Steig’s Shrek character from the storybook page to his adaptation for film and the Broadway stage. Panelists will explore how Shrek‘s unique appeal with both adults and children inspires the creative process.
The highly regarded writer, historian and critic Leonard Marcus will examine William Steig’s career as a children’s book illustrator and author. Jeffrey Katzenberg, Chief Executive Officer of DreamWorks Animation, will discuss bringing the character of Shrek to life on film. Chris Miller, director of the Shrek the Third film, will offer a movie director’s take on the character of Shrek. Jason Moore, director of the forthcoming Shrek The Musical, and Pulitzer Prize winner David Lindsay-Abaire, book and lyrics for Shrek The Musical, will speak about the creative process that is driving the musical stage production. MORE
For two weeks only, Off-Broadway will offer tickets for only $20 twenty minutes before show time. “20at20” is now a bi-annual celebration of NY’s best shows, in the tradition of Restaurant Week!
Beginning Tuesday February 25 and continuing through Sunday, March 9, some Off-Broadway shows will offer seats still available twenty minutes before the curtain, for only $20 when purchased at the box office (cash only at some venues; some restrictions may apply) for over twenty shows. (A complete list follows).
Go to www.offbroadway.com for a complete list of participating shows, venues and special offers. Or call toll-free 1-877-4-20at20 (420-2820).
Vital Theatre Company is pleased to announce that it will be transferring its production of A (Tooth) Fairy Tale to off-Broadway’s Soho Playhouse following the conclusion of its sold-out run at The McGinn Cazale Theatre ending Sunday, February 24. A (Tooth) Fairy Tale features music and lyrics by Rick Hip-Flores, book by Ben Winters, and direction by Linda Key. MORE
Is He Dead?, the new comedy by master American novelist and satirist Mark Twain, adapted by David Ives, and directed by two-time Tony Award winner Michael Blakemore, will close at Broadway’s Lyceum Theatre (149 West 45th Street) on March 9, 2008, following 105 performances and 13 previews.
Dennis Letts, who was currently appearing as the patriarch-gone-missing from the highly-acclaimed new play August: Osage County, penned by son Tracy Letts, has died of lung-cancer on Friday, February 22. He was 73 years old.
Dennis Letts originated the role of Beverly Weston in August: Osage County, with both the Steppenwolf Theater in Chicago and the Broadway company at the Imperial Theater on Broadway. He was an Oklahoma actor and retired English university professor; and appeared in more than 40 films and TV shows in his lifetime.
PROVIDENCE just completed it’s run with MTWorks. We interviewed two of the actors last episode, and I had a chance to catch the play. I am making my first personal endorsement. Mount this play. Playwright Cody Daigle shows complete mastery of his craft as he deftly weaves the past and the present with crisp, witty dialogue that takes the audience on a roller coaster ride from laughter to tears, often within seconds. With incredibly well written roles for four actors, this would be a fantastic show for a University or other group with a bulit in audience. It is admittedly a hard sell as anyone who heard the interview last week might guess. A play that deals with two people coping with death doesn’t sound like a thrilling, gripping night at the theatre; but it is. Take a chance with this play. This play is a perfect example of why I started Broadway Bullet. I wanted to be able to expose works that might fall through the cracks to an audience outside of New York. This one is a gem. PROVIDENCE isn’t yet published by a house, but if you would like information on how to obtain a copy for perusal, please email email@example.com