Review: Elizabeth Rex Gets the Royal Treatment at Nicu’s Spoon
Review by John Delamar
A CROSS DRESSER, THE Queen, the Bard, and a merry band of actor’s… No this is not the opening to a very bad Elizabethan joke. What it is is the set up for a very well done play by Timothy findley at Nicu’s Spoon Theatre.
The setting is an old barn, the time is the eve of the execution of Sir Robert, Earl of Essex. queen Elizabeth I has chosen to spend the hours before the death of her beloved “Robin” in the company of her favorite playwright. What ensues is one man teaching royalty how to be feminine and royalty teaching one man how to be masculine.
The script, penned beautifully by Timothy Findley, is deft and witty. We go from one liner to one liner in and out of metaphor and metaphysics. And in the end what Mr Findley has given us is a play that is so well tailored it fits the company of actors performing it like a fine Italian suit.
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Review: It’s Aristohanes, It’s Ancient Greece, It’s Sex and It’s All at Gallery Players
Review by John Delamar
Review: Sunday in the Park with George: La Grand Flop
Review by John Delamar
“There are worse things than staring at a river on a Sunday,” chirps Dot in in the Sondheim/Lapine masterpiece, Sunday in the Park with George, and she hit the nail right on the head. What’s worse? You could be staring at a very none too revived revival.
Roundabout Theatre Company is known for it’s innovations in the musical revival, but their most recent foray falls sadly and painfully short. The revival of Sunday in the Park with George at Studio 54 is nothing but an overtly stylized update of the original 1984 production, similar to the revival of A Chorus Line. A revival should add to a piece, make it speak to a modern audience, bring an old message to new ears, not bore the audience to tears.
Review: Passing Strange: Not Just Passing as a Hit, It’s Bonafide
Review: The Blue Flower Blossoms on the Upper West Side
Review: The Gallery Players Are Having A Wild Party!
Review by John Delamar
Welcome to the roaring twenties. Kander and Ebb said, “There’s booze everywhere, jazz everywhere, men everywhere…” And Andrew Lippa said it was a “Wild, wild party”, and it was. Brooklyn’s own Gallery Players, making great theatre Off Broadway for forty-one years, have brought Lippa’s wild and crazy twenties back to life in a production of The Wild Party to write home about. The Gallery Players have never been one to shy away from issues that verge on the profane, and this indulgent musical about the golden age of American prohibition is no exception.
Review: The Runner Stumbles, But Not The Production
THE RUNNER STUMBLES
The Beckett Theatre
Review by John Delamar
It’s been more than three decades since the Milan Stitt drama, The Runner Stumbles, has been seen on Broadway, even on a professional New York Stage, but thanks to our dear friends at The Actor’s Company Theatre, dedicated to reviving lesser known theatre works, we now have the opportunity to see this amazing play, again.
A priest lusts after a fellow sister of the collar, can that original sin make him attempt the greatest sin of all, murder?
It’s intrigue from the get go with Milan Stitt and The Runner Stumbles, and a show like this one is still relevant in our modern day, which is a nice change from dated theatre works that seem to roll along endlessly, pondering the meanings of meaningless lives. Read more of this article »
Review: Theatre Production for Dummies: “Let’s Put on a Show!”
Book Review by John Delamar
Ever wonder what it takes to put on a successful Broadway production, or are you just interested in what can happen if you tried to mount your own production in your community? Well, have we got a book for you. Broadway Bullet’s John R DeLamar jr reviews the new book by Tony Award winning producer Stewart F Lane, “Let’s Put on a Show”. He’ll let you know whether its worth its salt, and what it could do to help you with your production.
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