We’ve got some great stuff for you this week, and we’re busting at the seams with new content and a brand new design. So let’s get this show on the road, shall we?First off we have two of the actors from the new production at Playwright’s Realm, SUBSTITUTION, Brandon Espinoza and Shanna Dowdeswell. Also the guys who brought you TITLE OF SHOW and are bringing it to Broadway, Hunter Bell and Jeff Bowen...

Yes… the musical that causes more confusion than “Who’s on Third”? is coming to Broadway this July! But the composers and stars are coming to the Broadway Bullet podcast this Thursday, May 8th.

I had a chance to interview Hunter Bell and Jeff Bowen last week, and I have to say, it was a ball. If you don’t want miss their story of how [title of show] moved from a small festival musical to...

Okay, So I’m starting this thing where a show can buy a sponsorship on an episode of Broadway Bullet. One of the things I am offering is to go on location during a performance and get a bunch of “mini interviews” to fill inn between the main interviews on an episode… kind of like the Top 20 Countdown on VH1.

Well, in any case, it was my very first time doing this on Thursday, May 1st...

I saw Cry-Baby at the Marriott-Marquis last night, and these are three of the thoughts that went through my head while watching the new John Waters movie-to-musical on Broadway.

1. Why does the Cry-Baby logo look like the Frito-Lay logo? - I thought I was going to see TONS of chips on stage… that somehow Frito-Lay was a sponsor… but, no, that didn’t happen. So I’m at a loss to explain why the show looks...

While sitting through the very funny movie, “Forgetting Sarah Marshall” these thoughts ran through my head…

1. Is the Musical Theatre Block becoming that valuable? - The whole Dracula musical subplot is hysterical. Who cares that his execution isn’t innovative and Dracula has been done to DEATH. That’s kind of the point and fits Jason Segal’s character. But still, is the musical theatre crowd becoming that valuable that studio executives aren’t screaming…...

Last night I saw Brian J. Smith in 2nd Stage’s new play, Good Boys and True. Brian has a charismatic and commanding presence… but what was most notable was just how natural, and comfortable and real he was with the spitfire dialog. Even more impressive as the 2nd Stage doesn’t mic their actors in many productions. (That I also like!) However, the lack of mics usually means leaving a comfortable naturalism behind in...